Though this Malayalam film tends to be melodramatic at times, it is credible in the final analysis.
There's hardly anything to complain about this Malayalam film.
Directed by debutant K Biju with Kunchacko Boban in the lead is a typical campus film
Payyans does not present anything extraordinary or radical and ends up being an average film.
The film has to depend on its protagonists to work and is much below expectations from a director of Blessy's calibre.
Khadama realistically shows the sufferings of lower class labourers in the Gulf.
There's nothing new about this Malayalam movie except Jayaram's look.
The movie gives some hope that Malayalam cinema is on the path of revival.
The Malayalam movie fails to live up to its promising premise.
The film shows how a nuclear family might face situations in times of grave crisis. But there is too much negativity.
The movie is a typical one man taking on the corrupt system role with nothing original to speak of.
Director Lal's film is a huge disappointment.
Dealing with a middle-aged romance and starring Lal and Shwetha Menon, Salt N' Pepper leaves the viewer satiated.
Director Sibi Malayil's has given far better film than Violin.
The actors are in fine form but they do not have anything solid to work with.
First time director, Martin Prakatt gives us a heart warming film that feels real even when it has a fable like premise.
Why did Srikanth choose such a B-grade film as Uppukandam Brothers Back in Action to make his debut in Malayalam films?
The Malayalam movie takes on the scourge of alcoholism but fails to make any impact.
Stay away from this Malayalam film.
Kanyakumari Express has Suresh Gopi playing a cop again, but the Suresh Babu-directed film fails to deliver.
Director Jayaraj swings between telling a touching tale and pushing a typical star vehicle.
The basic thread of the Malayalam film is taken from the Hollywood film The Bucket List starring Jack Nicholson and Morgan Freeman. But the comparison ends there.
Cocktail, inspired by Pierce Brosnan starrer Butterfly on a Wheel, stars Jayasurya, Anoop Menon and Samvrutha Sunil and is a decently made thriller by debutant director Arun Kumar.
Seniors may turn out to be a commercial success as its humour tickles the baser instinct of the audience.
Chekavar, written and directed by newcomer Sajeevan is an effort to project Indrajith as a typical action hero. Watch it only if you hero worship Indrajith.
The film's storyline is wafer-thin and predictable.
Though the Malayalam film cannot be termed as Lal Jose's best work, yet it carries his stamp nonetheless.
Urumi scriptwriter Shankar Ramakrishnan shares his experience of being a part of the historical adventure.
Yakshiyum Njanum, director Vinayan's rebellion against mainstream is substandard fare to say the least. The newcomers Gautham and Meghana deserved better.
This heavily inspired film is full of cliches and boring performances.
Kutty Naduvil's Malayalam film is a kind of a film that would make you squirm in your seat.
Prithviraj shines. Other than that, there's nothing much to write home about.
The supposedly suspense thriller is anything but entertaining.
On the whole, The Film Star may have noble intentions but ends up being loud and coarse.
Jounalist turned scriptwriter Joshua Newtonn talks about writing for the Malayalam film.
Malayalam film Nellikka lacks bite, feels Paresh C Palicha.
There's something missing in Shajahanum Pareekkuttiyum, feels Paresh C Palicha.
The story of Aadu Oru Bheekara Jeeviyanu oscillates between political satire and slapstick, says Paresh C Palicha.
It is the charm and the freshness of the young cast that makes Aanandam work, says Paresh C Palicha.
Ennu Ninte Moideen is a worthwhile effort.
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